New to this type of editing technique, I decided to bring the image into Topaz ReMask to isolate the fireworks and then use the clone stamp tool in Photoshop to blend in the pure black sky into the smoke. With a brush at a reduced opacity you can make the blur as strong or light as you’d like. To toggle between the white (keep) brush and black (remove) brush, simply press the X key.
So the white brush will be painting in the blur effect, while the black section of the mask will remove the effect. Just remember, white = keep & black = remove. When painting in the effect, you’ll see white appear in the vector mask in your layers panel. I then inverted the mask (ctrl/cmd + I) and then used the brush tool (B) to paint in the blur on the right side of the image, and at a lighter opacity to the left side.
For a quick background blur, I applied a tilt-shift blur as shown, focusing specifically on the right side of the image.īack in Photoshop, I added a vector mask to the layer. Once the flower was extracted, I then brought the background (original) image into Topaz Lens Effects, which contains several blur options including selective bokeh, tilt-shift and creative blur. I therefore extracted the sunflower from its background using Topaz ReMask 4. The tree was then enhanced with Topaz Clarity and Clean, while the background was manipulated with Topaz Lens Effects.
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She claims, “Working selectively with light on different areas of the image lays at the core of my processing workflow, thus selections and masking are among the most vital tools I use to create a photograph.”Īs you can see above, Gospodarou was able to isolate the subject with Topaz ReMask so that she could specifically work with the sky and background, without affecting the architecture.Īnother example of selective adjustments that may spark some ideas can be found in this tutorial, covering how to transform your image into a surreal piece of art, where ReMask was used to isolate a tree.
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It is an epitome of control in the editing workflow.įine art architectural photographer Julia Anna Gospodarou also uses masking software in her post-processing workflow for selective adjustments. Selective adjustments are an excellent way to enhance or edit particular areas of your image without affecting other areas. “There is one in every crowd” by Gary Lamott
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